Ben Meyers’ rating: 4.0|5.0
Starsìììì
San Andreas
successfully surpasses the normal B-grade status into which many disaster films
naturally classify themselves. This film becomes one of Dwayne Johnson’s better
films as it creates a highly balanced and believable mix of his tender family
side with his wrestling/action movie persona. Casting chose Carla Gugino as his
character wife, Emma Gaines. That choice turns into the perfect onscreen team
for careening through an earthquake-destroyed California coastline. The visual
and special effects departments managed one of the best disaster movies yet by
eliminating those troubling blurry scenes as buildings crumble and fall as well
as the redundant ‘I’ve seen this before’ feeling that plagues action/disaster movies.
This film shows craftsmanship and care of artisanship in every scene. That care
results in an overall movie effect that can be only described as: enthralling.
The attempt at marriage repair is not overdone. The loyalty to family and
concern for child safety manages itself well. The film’s story is not too fast,
loud, or busy. It’s just right.
Film Poster Courtesy of Wikipedia
Storyline
Raymond
Gaines (Dwayne Johnson) and Emma Gaines (Carla Gugino), in the throes of
marital separation, find themselves working together to rescue their daughter,
Blake Gaines (Alexandra Daddario), while California crumbles under their feet.
Additional Thanks
Thank
you to Director Brad Peyton for directing effort. Thank you to Executive
Producers Bruce Berman, Richard Brener, Samuel J. Brown, Rob Cowan, Michael
Disco, and Tripp Vinson for making the film possible. Additional
characters/cast include: Daniel Riddick (Ioan Gruffudd), Serena Johnson (Archie
Panjabi), Dr. Lawrence Hayes (Paul Giamatti), Ben Taylor (Hugo Johnstone-Burt),
Ollie Taylor (Art Parkinson), and Dr. Kim Park (Will Yun Lee).
Buy a ticket? Yes? No? Maybe?
Yes.
This action/disaster film fills the ticket quite nicely for action fans.
There’s a lot going on, but not too much. The blare and glare that has plagued action/disaster
movies over the past several decades has been toned down to just the right
level so that an audience can appreciate the artistry and absorb each event-filled
scene with greater attention to detail. It’s more natural.
Video Critique Available Here:
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